If you could change the ending of any movie to whatever you liked
I love this movie starring Kevin Spacey, except for the last act.
Kevin plays a man with a dissociative psychological disorder. He thinks he is an alien. For 3/4 of the movie, he plays an endearing man trying to convince the world he is actually an alien ergo baby carrier. He really convinces you that maybe he really is. You start to wonder whether this is a scifi movie and you just misunderstood the genre.
Then in the last act, they reveal the reason why he's dissociative. It's very disturbing. We frequently rewatch favorite movies, but we've only watched this one once. If it weren't for the last act, I'd love to watch it again. I wish they'd rewrite it to reveal either he is an alien, or there was some other reason for his split personality.
Although I seen a lot of movies where I wish that the hero/heroine/love interest/relative had not died in the end, it was usually necessary to bring the story to a conclusion. I will exclude those microsoft office 2010 product key.
Both of my Iwishthey movies are comedies made in the 1970s, and both of them suffered from the same flaw of being hilarious and occasionally brilliant until their ending sequences. They are,
1) Mel Brooks Blazing Saddles (1974). This was a very, very funny movie. It was loosely based on the 1939 classic Destry Rides Again, but it jampacked with slapstick and irreverence. The performances by Cleavon Little and Madeline Kahn were wonderful ergo baby carrier.
"Nobody move or the n___ gets it!"
However, the movie falls apart badly in the last 15 minutes, where the action spills out of the Western setting into a mishmash of parodied movie cliche (part of the action takes place on the set of a Busby Berkeley musical). Had Brooks kept the film in context, it might have been the best movie parody of all time tiffany blue nikes. As it is, it still entertaining to watch, but once you know what coming, it hard to sit through the last few minutes of the film hermes belt.
2) National Lampoon Animal House (1979). If ever a film elevated political incorrectness to a high art, this was it. John Belushi is hilarious, which was never much of a problem for him, but the supporting cast, notably Tim Matheson (Otter), Peter Riegert (Boon), and Steven Furst (Flounder) steal the show chan luu. John Vernon as the embattled Dean Wormer and Verna Bloom as his nymphomaniac wife also give noteworthy performances. Parts of this film, such as the removal of Neidermeyer dead horse "Trooper" from Wormer office, are so funny I still get tears in my eyes from laughing whenever I see it.
Furst, Hulce, and Belushi not taking matters seriously
Like Blazing Saddles, Animal House unfortunately falls apart at the end, where the Deltas take revenge on Wormer and his allies by ruining the homecoming parade. I not sure how I would change the ending perhaps Otter might use his affair with Vernon wife as leverage to get the Delta house charter reinstated. I do know that this is yet another film that I can watch again and again but I always a little disappointed knowing how it will come out.
I think the name of the movie was "Pretty In Pink". Before you start laughing, let me explain.
A few years back my teen age daughter keep asking me to watch movies with her, and I did. I watched some goofy chick flicks for her sake. Anyway, the main character had to make a choice between two guys. One was a snobby rich kid who stood her up, and the other was a sincere but weird guy. She went with the rich guy. I thought that was a mistake.
Now, this is a movie I never want to see again and I never would have watched it in the first place, except it was time spent with my little girl. I know there are guys who watch some chick flicks for no other reason than to spend with the woman/women you love true religion outlet online. Recently I watch "The Russell Girl with my wife" and it was good. Not the movie, but the time spent with her.
Eventually tiffany uk, we will be subjected to the movie version of JK Rowling's "masterpiece," Harry Potter and the CopOut Ending vanessa bruno. Anyone who was disappointed in the end chan luu, particularly the "epilogue", of Deathly Hallows, will understand what I mean. O, great magical Editing Faerie, come to cleanse this trite tiffany and co, simplistic climax and the sloppy denoument before this novel be translated to the silver screen pandora bracelet! Save Snape beats by dre, or at least give him a more dignified end. Save Lupin and Tonks! Why did they have to die? Did JKR not have the guts to write of a human/werewolf child lululemon? O muse, inspire whichever masochistic director deigns to undertake this cinematic nightmare to tear asunder the Epilogue and cast it into oblivion! No ルイビトン, Harry and Ginny do not get married and live happily ever after and produce three children named after six corpses! It's not "nineteen years later" yet! GIVE US SUBSTANCE, DAMMIT!Related：